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Tiny creature - Mambo mamba & symbolic spider

SFr. 68.00

A home isn't a home without the little useless objects lying around. Don't understand mess and find excuses for yourself; it's about art and decor. Surround yourself with this lovely little creature.
It's hand sculpted, hand painted and unique. Adopt it today.

Min Pin believes in compassionate design, quality artistry, sustainability, and fun!
Currently based in Melbourne Australia, all Min Pin pieces are developed and handmade by Penny Min Ferguson in her studio in the Dandenong Ranges


Pauline tells you a story: Mambo mamba

This green mamba isn't the evil creature people may assume it is. A contrario, he's a real melomane, and can't resist a little mambo.

Mambo is a musical genre and dance style that developed originally in Cuba. The word "mambo", similarly to other Afroamerican musical denominations as conga, milonga, bomba, tumba, timba, samba, semba, bamba, bamboula, tambo, tango, cumbé, cumbia and candombe, denotes an African origin, particularly from Congo. In modern Swahili language, the word "mambo" corresponds to the English word "things".
Antonio Arcaño described the "Mambo" as follows: "Mambo is a type of syncopated Montuno that possesses the rhythmic charm, informality and eloquence of the Cuban people. The pianist attacks the mambo, the flute picks it up and improvises, the violin executes rhythmic chords in double stops, the double bass inserts a "tumbao", the "timbalero" plays de cow-bell, the güiro scrapes and plays the "maracas" rhythm, the indispensable "tumba" (Conga drum) reaffirms the bass "tumbao" and strengthens the ‘timbal’."

In other terms, when you'll see a green mamba ondulate, you'll know it's dancing the mambo like they will be no tomorrows.

Want more ? Hear about the symbolic spider...

The symbolic spider

Louise Joséphine Bourgeois (1911-2010) was a French-American artist. Best known for her large-scale sculpture and installation art, Bourgeois was also a prolific painter and printmaker. She explored a variety of themes over the course of her long career including domesticity and the family, sexuality and the body, as well as death and the subconscious. Although Bourgeois exhibited with the Abstract Expressionists and her work has much in common with Surrealism and Feminist art, she was not formally affiliated with a particular artistic movement.

In the late 1990s, Bourgeois began using the spider as a central image in her art. Maman, which stands more than nine metres high, is a steel and marble sculpture from which an edition of six bronzes were subsequently cast. It first made an appearance as part of Bourgeois’ commission for The Unilever Series for Tate Modern’s Turbine Hall in 2000, and recently, the sculpture was installed at the Qatar National Convention Centre in Doha, Qatar. Her largest spider sculpture titled Maman stands at over 30 feet (9.1 m) and has been installed in numerous locations around the world. It is the largest Spider sculpture ever made by Bourgeois. Moreover, Maman alludes to the strength of her mother, with metaphors of spinning, weaving, nurture and protection. The prevalence of the spider motif in her work has given rise to her nickname as Spiderwoman.

"The Spider is an ode to my mother. She was my best friend. Like a spider, my mother was a weaver. My family was in the business of tapestry restoration, and my mother was in charge of the workshop. Like spiders, my mother was very clever. Spiders are friendly presences that eat mosquitoes. We know that mosquitoes spread diseases and are therefore unwanted. So, spiders are helpful and protective, just like my mother. " Louise Bourgeois